RE-BLOG OF AN ARTICLE WHICH TAKES ROUGHLY SAME ANGLE ON HATTO AS ME!

http://duncanstephen.co.uk/was-joyce-hatto-always-a-con-artist/

This is one of the few sources I have found for an argument similar to mine:that the evidence was there, certainly for my generation upwards,(ie about age 50 plus) that Barrington-Coupe had a massive previous history of invention,re-appropriation and mischievious snoop-cocking at the musical live and recorded industries. Thanks to Duncan for making the point,(which I didnt come up with!), that “Fidelio”, one of BC’s early labels,-but perpetuated in the name of some of the “Concert Artist/Fidelio”{sic!}Hatto recenter fakes- refers to the hero(ine)who is DISGUISED as the opposite sex in the Beethoven opera of the same name!

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Published by: decayetude

ENTHUSIASMS: CLASSICAL MUSIC, ESPECIALLY OBSCURE ROMANTIC COMPOSERS; BACH/HANDEL LITERATURE, ESPECIALLY THOUGHTFUL, WELL-WRITTEN(STYLISTICALLY)NOVELS W G SEBALD WALTER BENJAMIN THEODOR ADORNO(JUST BEGINNING!) AESTHETIC PHILOSOPHY GAY MEN'S WRITING;QUEER THEORY STIMULATING DISCUSSIONS(EMOTIONALLY AND INTELLECTUALLY) GOOD RICH THICK ESPRESSO MICHAEL PONTI SPRITUALITY/LIFE'S "AURA"(BENJAMIN), WHATEVER TRANSCENDENTAL THING YOU WANT TO CALL THIS MEMORY-the elusiveness thereof. LOST TIME AND AN ATTEMPT AT ITS REDEMPTION(NON THEISTICALLY/RELIGIOUSLY)

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